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Nice Fridge

If Beale Street Could Talk ......it would say "meh". This post is going to be a really hard write as we found the filming, the script and the delivery really slow and we're struggling to come up with many positives. It was Romeo & Juliet meets paint drying. It started with an explanation that Beale Street is representative of any street, and that its an area of music, loud music, and then it became one of the quietest movies we have seen. It felt like a great opportunity to showcase some of that music, in fact it would have made a great musical. Its the story of a young black couple, who are clearly very in love, and those loving moments are tender. The lighting and the intense close-ups were interesting at first but wore thin by the end. The characters spoke so slowly and poetically that they never developed fully and it was difficult to engage with them. Characters were introduced that never went anywhere, and the ending felt  unsatisfactory. We felt like we ...

Gittel "Genia" Chill

Schindler's List was our final film of the day. It was celebrating its 25th Anniversary and uncoincidentally it was being shown on International Holocaust Day and had a fairly good turn out. It was introduced by Steven Spielberg, who talked about the importance of the movie and how he had felt at the time that it was a story that needed to be told. He also spoke about the USC Shoah Foundation established in 1994 to honour and remember the survivors of the Holocaust. It was the first time in many years that we had watched the film, but we had both seen it before so knew what was coming, however it brought back all of the shock and outrage of the first times we had seen the film, and it is still a brutal reminder of how hatred can be instilled, grown, nurtured and channeled when left un-challenged. It still evokes tears but probably for different reasons now than 25 years ago but it remains relevant, and feels like a film that should be shown to everyone, as a warning of just ...

The Hand that Holds the Pen Writes History

Colette is a really enjoyable watch. Neither of us are big Keira Knightley fans but decided to take a leap of faith.....and we're glad we did. Knightley plays the naive country bumpkin who marries the worldly egotistical Willy and portrays their married life together in the bohemian City of Paris. According to this film they had a relationship full of contradiction and power struggles, but that seemed to have its foundations in genuine love for each other. It centres around literary arts in the 1800s and, whilst Willy is already established in his world, Gabrielle is thrust into the middle of it and eventually encouraged to write her own memoirs. The outstanding presence onscreen was Dominic West who presented a character driven by lust and a desire for wealth with few scruples, however, despite this he wasn't a difficult character to like, and his charm won us over. We will give each film we see a score out of 10 for overall enjoyment. Colette  =  7  ...

El Tata

Film number 2 should have been a stallion but was in fact The Mule, in every sense of the word. You kind of know what to expect with an Eastwood movie, and you definitely got it with this one....but, for us there was something missing. Beautifully shot and skillfully directed, of course. The cast were superb, the story was of interest, although it felt like some opportunities weren't taken, and it seemed to have too many inconsistencies to ever flow believably. Andy Garcia and Bradley Cooper do fine work and Clint Eastwood, at any age is a master of his craft. Family rifts, disappointment and regret are some of the central themes and, unlike at the end of Can You Ever Forgive Me?  when Melissa McCarthy says it may have been the best time of her life, there seems no such pay off for Eastwoods' Earl. No great pleasure or enjoyment, although he does share his wealth with friends and family, and none of the usual Clint Eastwood attitude. Because the story kept fairly true ...

Like a Teacup and Saucer...

Another all dayer for us starting with Vice . It's the story of Dick Cheney, boozer, petty criminal, political nobody and eventual puppet master  Vice President of the U.S. of A. The film makers are obviously approaching the telling of the story from an angle, but are doing it with humour and pathos, and some interesting filmic twists.  It was highly entertaining and well acted, by a barely recognisable Christian Bale and supporting cast alike, but we felt slightly removed from it all, given that it was American politics and we are unfamiliar with the whole circus. It was of little reassurance to know that whatever your political persuasion, government stinks. This was our third Steve Carell movie of the year, and of course he didn't disappoint, playing Donald Rumsfeld. It feels like Sam Rockwell also deserves a special mention at this point, for his mad skills. There are a few big names listed in the production credits too. All in all, despite no knowledge abo...

This is not a cartoon. This is the real world.

We had really low expectations of Glass , because we hadn't enjoyed Split, although we both thought Unbreakable was a masterpiece. The fear was, where would M. Night Shyamalan take it, but where he took it was to comic book land and it worked beautifully. There were unexpected twists and turns but the core characters stayed true to their comic book personae, and new characters were introduced who helped the plot to build into the ultimate stand off. Visually it was very interesting, and colour was used to add to the fibre and atmosphere of the film, from the stark white hospital rooms and the vast pink room where they meet, to the silver metropolis seen from the parking lot. The characters were played brilliantly and Samuel L. Jackson was enigmatic in the title role. It was difficult not to feel empathy for Bruce Willis, as his intent was pure from the start, albeit vigilante. James McAvoy plays the part that is most difficult to sympathise with, and although he continues to b...

Now Go and Wash your Beard

Film number four and probably the one we were most looking forward to,  Mary Queen of Scots is splendid in every way. Visually, and musically, it was sharp and vibrant and it tells the story of a difficult period of British history, but from a slightly different angle. It contradicts some of what we were taught about Queen Elizabeth I, and depicts Mary as the braver, stronger and more mentally astute of the two. The lead role was played by Saoirse Ronan who seems to be unable to put a foot wrong at the moment, and Queen Elizabeth I was portrayed by Margot Robbie who plays a queen riddled with uncertainty and other afflictions. We did note that we were once again watching a film with strong women in positions of power. #teammary All of the supporting cast were great, including Guy Pearce and David Tennant, although the acting was top notch some of the characters actions were barbaric. The costumes and scenery were incredible, and even the advertising leading up to the films r...